Thursday, February 26, 2009

Best of 2008 - #8

Death and All of His Friends/The Escapist – Coldplay

People either love Coldplay or think they are crap. I’ve witnessed both sides argued passionately. True: Coldplay does sing like the crazy man at the library who keeps spouting everything so urgently that you feel he must be on to and on something. Some people hate that. Other people hate them because their tunes tend to plant themselves onerously into your skull. But, lunacy and redundancy aside, Coldplay also creates some truly haunting, beautiful music.

Their recent release, Viva La Vida or Death and All of His Friends, was made famous by – surprise, surprise – an iTunes commercial and the title track (which is like Beethoven stuffed into a British club with futbol fans … btw, didn’t this happen in Bill and Ted’s Excellent Adventure). But, beneath the pomp and strain of international music demi-gods, the album is also laced with Asian minimalism. Those are the songs I enjoy, and the acoustic version of Lovers easily triumphs over the amped-up version like it was Bruce Lee against Chuck Norris.

I’m particularly smitten with Death and All of His Friends/The Escapist, which begins with the type of nonsensical poetry that is evidence “A” for the half who disdain Coldplay. But, they soon leave that behind and begin working into mantras: be patient, don’t worry. That’s a message I don’t mind having stick in my head.

The other thing about Coldplay is that they like to build into crescendos of emotion – aided by precise strumming, drumming and pounding of the piano. That would be where this song goes, and the bohemian chanting emerges as a solid protest: “No I don’t want to battle from beginning to end. No I don’t want to cycle, recycle revenge. I don’t want to follow death and all of his friends .” It is a fight for life. And you do have to fight for it.

But, then it ceases and reverses course one more time. Back to the Asian-minimalism, this time with a haunting electo-mix of wind and pulsing beats. This is close-of-the-day stuff here, the twilight of life. “And, in the end, we lie awake, and we dream of making our escape.” The Oriental winds are moving across a fertile steppe, and the pulsing of a digital parade, like the UFO’s from Close Encounters were singing. Then fading, then giving up. But a peaceful submission. The resignation of Buddhism leads to life. Digital dreams. The end.

Perfect really. Three movements, the three cycles of life: the whimsy of youth, the struggle of adulthood, the relinquishment of old age.

Wes

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